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''6- and 12-String Guitar'' is the second album by Leo Kottke, a solo instrumental steel-string acoustic guitar album originally released by John Fahey's Takoma Records in 1969. It is popularly known as the Armadillo album after the animal illustrated in the distinctive cover art (by Annie Elliott). Although Kottke has had a prolific career as a recording artist, ''6- and 12-String Guitar'' remains his best-known album. ==History== The album showcases Kottke's early, hard-driving polyphonic finger-picking style (which eventually led to him developing tendinitis and having to change his playing approach). Even at the fastest tempos the notes are clean and crisp, with a distinctive tone. The album was recorded in one afternoon, in exactly the running order of the album. Most tracks were done in a single take. Kottke doesn't even pause when a string breaks (audibly) on "The Sailor's Grave on the Prairie." In the liner notes to ''Anthology'' he states, "We didn't know about sequencing, so the record is in the order it was recorded...The record took three-and-a-half hours to do, and all I had to do was sit down and play everything I ever knew."〔Liner notes to Leo Kottke - Anthology〕 True to its title, the album contains performances on both 6- and 12-string acoustic guitars, some using a slide. Although Kottke has included vocals in other albums, this album is all instrumental – the reason being, as Kottke explains in the liner notes, his voice "sounds like geese farts on a muggy day." All the tracks were written by Kottke except ''Jesu, Joy of Man's Desiring'', Kottke's arrangement of the familiar Bach piece. The album had a large influence on, and was an inspiration for, guitarist Michael Hedges, who would later tour with Kottke. This album has been re-released as an SACD. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「6- and 12-String Guitar」の詳細全文を読む スポンサード リンク
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